This conference, which is a collaboration between the Modernism and Christianity project and the Centre for Christianity and Culture at Regent’s Park College, Oxford, is now open for registration. Please see the “Events” list on this website, or go to our home page and follow the link from there to the full CFP and registration form.Read more
Research Director Erik Tonning has published his monograph on the project topic, called (what else!) Modernism and Christianity.
Book description from the publishers’ website:
Modernism and Christianity is about the formative and continuing impact of Christianity upon the cultural movement known as Modernism. It defends the view that any theoretical, historical, or critical discussion of Modernism that neglects or minimises that impact is inevitably flawed. The whole field of Modernism Studies should thus be re-thought in accordance with the insight that the role of Christianity is intrinsic to any coherent account of Modernism. The book establishes ‘Modernism and Christianity’ as a distinct field of study, and undertakes case studies of six authors in their historical context: James Joyce, David Jones, T. S. Eliot, Ezra Pound, W. H. Auden, and Samuel Beckett.
Sample chapter download:
“This is that rare thing: a truly revisionary critical study of Modernism. For the past half century, the role of Christianity in Anglo-Modernist literature has been played down as irrelevant in a secular age. But the presence of Christian imagery, iconography, and dogma in shaping Modernist texts cannot be ignored. In provocative and persuasive chapters on Joyce and David Jones, on Eliot, Pound and Auden, and finally on Beckett, Erik Tonning shows the way to a more nuanced, more just understanding of the Modernist ethos.”
- Marjorie Perloff, Professor Emerita of English at Stanford University, USA
“The author brilliantly sustains a provocative thesis, that the whole field of studies in Modernism needs to be re-thought from the perspective of the impact of Christianity on this movement. With a rare ease and expert range of reference, Dr Tonning combines a sensitivity to the theological tradition with original research into the modernist writers he selects. This exciting and erudite study will be similarly transformative for both literary criticism and historical theology of the twentieth century.”
- Paul Fiddes, Professor of Systematic Theology, University of Oxford, UK
Erik Tonning has published an article called ‘The Christ disbelieved by Beckett: Christian iconography in Samuel Beckett’s work’, in the fine collected volume The Crossings of Art in Ireland (eds. C. Armstrong, B. Boyce and R. Moi). Here is a link: http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=74481&cid=5&concordeid=430983Read more
Congratulations to Matthew Feldman on his groundbreaking monograph on Ezra Pound’s propaganda activities seeking to evangelise on behalf of the ‘political religion’ of fascism. Feldman’s research draws on an unprecedented range of untapped archival materials. Here is the link: http://www.palgraveconnect.com/pc/doifinder/10.1057/9781137345516
Publishers’ book description:
Often dismissed as simply ‘bad’ or ‘mad’, the nature of Ezra Pound’s fascist propaganda has been much discussed, but far less well understood to date. In consequence, the extent of Pound’s activism has been wildly underestimated; there are, for example, thousands of pro-Axis radio items during WWII. These manuscripts, extending to extensive propaganda strategies and a dozen pseudonymous names, collectively reveal a modernist author far more engaged with the Axis war effort than has been previously acknowledged. Feldman’s ‘new historicist’ approach argues that Pound was a committed, influential and significant Anglophone propagandist for Mosley’s BUF, Mussolini’s Italy and finally, Hitler’s Germany. Through close analysis of historical context and an approach to Pound’s fascist activism through the lens of ‘political religions’ theory, Ezra Pound’ Fascist Propaganda, 1935-1945 challenges conventional wisdom on this canonical modernist by finding Pound to be a leading propagator of the ‘fascist faith’.
“With great clarity and erudition, Matthew Feldman changes how Pound must henceforth be read. On the basis of thousands of previously unused sources, not only does the extent of Pound’s fascist commitment become unequivocally clear but the proximity of his political views to his poetry becomes equally undeniable. This is a major work of new historicist literary scholarship which deserves a wide readership across the humanities.”
- Dan Stone, Royal Holloway, University of London, UK
“For the first time we learn from Matthew Feldman’s lively study how Pound supported himself during the war years. Far from an eccentric voice, Pound was a major English-language propagandist for the regime. Using hitherto untapped MI5 and FBI files, Feldman shows that Pound’s radio speeches ran into thousands of items, from speeches to squibs. We have taken Pound’s remark that the propaganda he produced was his own as meaning he did not follow any Fascist ‘party line.’ We could imagine that Pound’s fascism was as heterodox as his economics. In fact Pound’s propaganda responded directly and consciously to Fascist politics in Italy, following closely imperatives he discussed with members of the government. This book changes forever how we read Pound by bringing thousands of new documents into Pound’s total body of work.”
- Professor Alec Marsh, Muhlenberg College, USA
Here is a link to an article by Matthew Feldman that originated as a talk in the “Modernism and Christianity” seminar series: http://onlinelibrary.wiley.com/doi/10.1111/j.1749-8171.2011.00320.x/abstractRead more
Jonas Kurlberg, who is a PhD-student in the “Modernism and Christianity” project, has published an article entitled ‘Resisting Totalitarianism: The Moot and a New Christendom’ in Religion Compass, vol. 7, issue 12, 2013. Kurlberg’s article offers an overview of the existing secondary literature as well as a considerable range of untapped archival materials on this influential Christian think-tank. He argues persuasively that The Moot was no totalitarian project, but rather an attempt by a group of ecumenically-minded intellectual Christians to grapple with the tensions of modernity and the challenge of contemporary ‘political religions’ that set themselves up as rivals to a future reaffirmation of Christian culture. Here is a link: http://onlinelibrary.wiley.com/doi/10.1111/rec3.12092/abstractRead more
This symposium was organised by Professor Roy Tommy Eriksen at the University of Agder, Norway. Dr Erik Tonning was kindly invited, and presented a paper entitled ‘”The Friendship of this World is Fornication Against Thee”: Samuel Beckett reading St Augustine’.Read more
This one-day symposium organised by Matthew Feldman and Erik Tonning and kindly hosted by Regent’s Park College, Oxford, examined the cache of archival materials on Beckett at the BBC Written Archives in Caversham. Papers were pre-circulated in draft form, and the intention is to publish a volume of essays on this little-explored topic. The day featured contributions from Matthew Feldman, Erik Tonning, David Addyman, Peter Fifield, Dirk Van Hulle, Pim Verhulst, Paul Stewart, Steven Matthews, Melissa Chia, Catherine Laws and Elsa Baroghel.Read more
Dr Erik Tonning gave a paper at this conference, which was hosted by “Modernism and Christianity” Senior Research Fellow Dr Matthew Feldman. Tonning’s paper, ‘”Why can’t you step on the gas?” Ezra Pound’s efforts to recruit Christians for fascism in the 1930s’ is available as a podcast: http://backdoorbroadcasting.net/2013/07/erik-tonning-ezra-pound-fascism-on-christianity-in-1930s-britain/Read more
Dr Erik Tonning, the Research Director of the Modernism and Christianity project, travelled to Yale’s Beinecke Library, Harvard’s Houghton Library and the archives of the Museum of Modern Art, New York to research those modernist giants, Ezra Pound and T. S. Eliot. The two main emphases of the trip were gathering materials towards the forthcoming volume The Correspondence of Ezra Pound and the Frobenius Institute, 1930-1959, and also towards research by Jamie Callison on T. S. Eliot’s mysticism. This added to the substantial research database being developed by the project on these and several other modernist writers, such as David Jones and Samuel Beckett.Read more